Rock Art Decipherment 3 of 6 for Ererê, Brazil, image C. Fred Hartt, Inscripcoes em rochedos do Brasil, Figure 6

Rock Art Decipherments for Ererê, Brazil, sourcing C. Fred Hartt, Inscripcoes em rochedos do Brasil, Figure 6: Third of a Series

As we have previously noted, in the Native America Land Survey by Astronomy, -- whose design for South America is recorded at the Miami Circle --
the rock art location of Ererê in Ceará State in northeastern Brazil
marks the stars of Orion,
whose Belt is called Orcorara as "3 stars" in Quechua,
pictured in our previous posting about the Cuzco Sun Temple
as three "hills", with orco meaning "hill" in Quechua.

Within the more local astronomy of South America over the course of time, however, Ererê, Brazil shows us rock art that contains the same cosmology that we found at the Cuzco Temple of the Sun, which, as we have shown in the previous posting, was really the Temple of the Galaxy, i.e. the Milky Way.

The images deciphered here and in subsequent postings are from Ererê, Brazil are found a work in the public domain by Charles Frederich Hartt (Carlos Frederico Hartt), see also MyHartt, translated into Spanish from the Portuguese by Joao Baptista Regueira Costa (traduccao), Instituto Archeologico e Geographico Pernambucano, Pernambuco, Recife 1895. The applicable links online are:

•   Inscripcoes em rochedos do Brasil, https://archive.org/download/InscripcoesEmRochedosDoBrasil/Inscripcoes_em_rochedos_do_Brasil.pdf from the Stanford Library
  http://creativecommons.org/publicdomain/mark/1.0/
  
  Note: The above work was recently cited and rock art discussed in:
   
• Edithe Pereira¹, Trinidad Martinez i Rubio ², Carlos Augusto Palheta Barbosa ¹ Documentação digital da arte rupestre: apresentação e avaliação do método em dois sítios de Monte Alegre, Amazônia, Brasil [Digital documentation of rock art: presentation and method evaluation in two sites of Monte Alegre, Amazon, Brazil], Bol. Mus. Para. Emílio Goeldi. Cienc. Hum., Belém, v. 8, n .3, p. 585-603, set.-dez. 2013. (¹Museu Paraense Emílio Goeldi/MCTI. Belém, Pará, Brasil, ²Universitat de Valencia. Valencia, Espanha)

See generally also the following sources:

• Gary Urton, At the Crossroads of the Earth and the Sky: An Andean Cosmology. 1981. Latin American Monographs, No. 55. University of Texas Press. Austin. Paperback edition, University of Texas Press. 1988.] Spanish edition: En el cruce de rumbos de la tierra y el cielo (2006). Cusco: Centro Bartolomé de la Casas. Based on fieldwork in Misminay, Peru, Gary Urton details a cosmology in which the Milky Way is central. - See more at: http://utpress.utexas.edu/index.php/books/urtcro#sthash.Fc2kLRQ0.dpuf
• Robert S. McIvor, Star Patterns on the Aztec Calendar Stone, ADSABS.HARVARD.EDU, Research Papers -- Articles de recherche SAO/NASA Astrophysics Data System (ADS), Journal of the Royal Astronomical Society of Canada, Vol. 94.
• Rolf Hans Müller, Sonne, Mond und Sterne über dem Reich der Inka, Springer-Verlag, 1972.

This is the third of a series of decipherments which appear to be variations of a similar astronomical presentation at Ererê in Ceará State in northeastern Brazil, very likely at different eras, one image for each posting, here deciphering Figure 6, in C. Fred Hartt, Inscripcoes em rochedos do Brasil, 

a decipherment that is very speculative as concerns the upper 2/3rds of the rock art here, but do note the cross-hatch style at the bottom for Gemini, and compare to the Temple of the Sun at Cuzco and the Birdman of Cahokia:

THIS POSTING IS Posting Number 105 of
The Great Mound, Petroglyph and Painted Rock Art Journey of Native America

Rock Art Decipherment 3 of 6 for Ererê, Brazil, image C. Fred Hartt, Inscripcoes em rochedos do Brasil, Figure 6