Please Note: The sky map decipherment below was revised in part by Andis Kaulins two days later at http://ancientworldblog.blogspot.com/2017/04/cerutti-mastodon-bone-astronomical.html, adding more star identifications and changing the position of Virgo and Leo to be higher up above the underworld of stars.
_______________
Archaeology and related professions suffer from their tendency to opt for a self-serving myopic assessment of the available evidence, too often without sober consultation of what "science" might call "good common sense".
When we take the evidence of genetic studies into account, then mankind migrated out of Africa no earlier than about 60000 B.C. according to the Map of Human Migration, National Geographic. Note that we reject and do not use the confusing and allegedly "politically correct" BCE and BPE labels, which are artificial ill-constructed academic notations with little practical value.
ANYONE, no matter what their academic credentials, suggesting the discovery of prehistoric human or human-like locations and/or artifacts outside of Africa that fall far much earlier than that date of 60000 B.C. -- when faced with the genetic evidence -- is likely to have made a colossal dating error in setting the chronology. That may be the case for the Cerutti Mastodon bone.
We have pointed out the above wisdom repeatedly over the years, most recently in our posting Bruniquel Cave "Ring" Construction in France Represents a Sky Map, But it is Not 176000 Years Old and Likely Not Constructed by Neanderthals.
We now are confronted with a report in the New York Times headlined Humans Lived in North America 130,000 Years Ago, Study Claims, reporting on a study -- published in the purportedly reputable peer-reviewed science journal Nature -- whose editors and reviewers need to start to do their homework -- titled A 130,000-year-old archaeological site in southern California, USA.
We are not going to go into any assessment of the radiometric procedures used in dating the Bone from the Cerutti Mastodon (CM) site in question, because it is not necessary, as there is no proof that the carvers of the bone broke the bone into pieces, as the writers of the article allege.
Rather, an old broken mastodon bone from an earlier age was arguably found and carved at some later time -- indeed, based on our dating below, probably carved by the still mysterious, but surely then seafaring people of Haplogroup X (mtDNA), who spread their astronomy in the New World at that time.
The New York Times article by Carl Zimmer writes:
"The bold and fiercely disputed claim, published in the journal Nature, is based on a study of mastodon bones discovered near San Diego.....
Some experts were intrigued by the research, but many archaeologists strongly criticized it, saying the evidence didn’t come close to supporting such a profound conclusion."
The key to this mastodon bone is not only the correct interpretation of the carved wavy lines, but also a host of other carvings and cupmarks on the bone. We can explain the wavy lines, as a bonus of our decipherment.
Anyone who thinks that he has seen all the carving on the mastodon bone when he or she has merely noted the wavy lines on it -- the easy part -- is greatly mistaken. We are reminded of Albert Einstein's famous phrase, that "I have little patience with scientists who take a board of wood, look for its thinnest part, and drill a great number of holes where drilling is easy."
There are numerous things carved on the bone, and we present simple and interpreted illustrations below of the lines and cupmarks made on the bone, all of which -- in our decipherment -- are astronomical in nature -- i.e. they represent "stargazing" in ancient times, we estimate ca. 6000 to 4000 B.C. with the stars near the Autumn Equinox to the left of the bone illustration as seen below and the stars near to the Spring Equinox to the right of the bone, as one is looking at the bone and as presented in the illustrations below. The Summer Solstice is then at the stars of Virgo (the main middle figure)
The head of Leo is to the right and can be viewed as either a human head or the head of a cat-like or dog-like creature. Behind that to the left is the head of human female with the wavy lines surely representing the watery underworld toward the southern stars of Centaurus, Lupus etc.
Marked at the left are the stars of Sagittarius and Scorpio, both near the galactic centre, as marked by heads of the deceased, since the ancients believed the souls of the deceased returned there. See my many postings on Avebury Henge and Stonehenge in the last year for an explanation.
Groupings of stars that are represented on the Cerutti Mastodon Bone may not in ancient days have been exactly comparable to our own modern constellations of course, but decipherment experience shows that the ancients adopted similar groupings, based on the brightest stars in the heavens.
Below is our decipherment of the Cerutti Mastodon Bone based on Letter to Nature 544, 479–483, 27 April 2017, doi:10.1038/nature22065 and the image reproduced in the New York Times article cited above.
Decipherment by Andis Kaulins, Traben-Trarbach, April, 2017:
The entire matter is rather elementary -- once one understands that the ancients carved mastodon and similar bones like this for important reasons such as astronomy, calendration and perhaps other shamanistic endeavors.
Thursday, April 27, 2017
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Sky Earth Native America
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.
Sky Earth Native America 2:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 2, Edition 2, 262 pages, by Andis Kaulins.
Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
The image on the cover was created using public domain space photos of Earth from NASA.
Both book volumes contain the following basic book description:
"Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
geographically located their villages according to patterns seen in stars of the heavens.
See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
American Anthropologist, 4, 730-736, 1902.
Ralph N. Buckstaff wrote:
"These Indians recognized the constellations as we do, also the important stars,
drawing them according to their magnitude.
The groups were placed with a great deal of thought and care and show long study.
... They were keen observers....
The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
In our book, we take these observations one level further
and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
together with mounds and earthworks, were made to represent territorial geographic landmarks
placed according to the stars of the sky using the ready map of the starry sky
in the hermetic tradition, "as above, so below".
That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
These landmarks were placed systematically in North America, Central America (Meso-America) and South America
and can to a large degree be reconstructed as the Sky Earth of Native America."
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