Saturday, October 15, 2005

31 - The Cult of Horus and the Origins of Astronomy - Nr. 31

The Cult of Horus
and the Origins of Astronomy - Nr. 31

Another confirmation of our analysis is provided by a "Relief Palette Fragment", found today in the Egyptian Museum in Berlin, pictured in Grimm and Schoske, Am Beginn der Zeit:[63] [At the Beginning of Time]:



Figure 23: Protodynastic Palette Relief Fragment – SAS, Munich

This palette relief fragment shows the classic symbols of the summer solstice ca. 3000 B.C. The sun is represented as a round circle, flanked by two lions with overlong but not intertwined necks. Grimm and Schoske write: (our translation) "the upper part is formed by a reclining ungulate." This ungulate [hoofed animal], a bull, represents the constellation Ursa Major. In later times, this was portrayed only by a bull shank (lower leg).

That ungulate is shown in reverse on the palette back side. That makes sense, since we are then viewing Ursa Major from the other side. The ribs of the bull correspond to the fence-like enclosures on other artifacts, as found on the serekhs.

[go to posting #32 - URL page titles are automatically assigned by Blogger and DO NOT match this posting sequence] 
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[63] Alfred Grimm and Sylvia Schoske, Am Beginn der Zeit, Ägypten in der Vor- und Frühzeit; Ausstellungskatalog, Heft 9, Schriften aus der Ägyptischen Sammlung (SAS); München, Staatliches Museum Ägyptischer Kunst, 24.12. 2000 - 22.4.2001, p. 37.
Posted by Andis Kaulins at 10/15/2005 08:45:00 PM

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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

    • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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