Tuesday, March 08, 2005

Knossos Archaeoastronomy - The Ivory Cup of Katsambas

The picture in the graphic shown below was scanned from "Das antike Kreta" (Ancient Crete), with photography copyright by Leonard von Matt (reproduced here as "fair use"), text by Stylianos Alexiou, Nikolaos Platon and Hanni Guanella, Echter-Verlag, Würzburg, 1967.



The photograph is found on page 95 and is decribed at page 93 as being an ivory cup from a necropolis near Katsambas (Katsaba, in antiquity Kairatos, the ancient port of Knossos on Crete). The above scan and drawing was made by Andis Kaulins, and we think that it supports the interpretation of the Knossos "Bull and Gymnast Fresco" by William Glyn-Jones with the bull marking Taurus, and the gymnast representing Perseus. Here, however, the man with the spear more likely marks Orion, as also found at the tomb of Senenmut (sometimes written Senmut) in Egypt ca. 1470 BC. The bird above in the graphic marks Horus, as on the Zodiac of Denderah, Egypt (now found in the Louvre). There is also a bird found in the same position on the similar Minoan cylinder seal referred to by Glyn-Jones in the previous posting.
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Posted by Andis Kaulins at 3/08/2005 02:29:00 PM

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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

    • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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