Monday, March 29, 2021

The Hebrew Calendar Starts Autumn 3761 B.C. Is it Because the Autumn Equinox Location in the Stars Was Virtually at the Center of Our Galaxy in that Era?

We came to the conclusion some years ago that the main focus of Stonehenge alignments (our independent discovery) is the galactic center of our Milky Way Galaxy (the "Galactic Centre"). 

Megalithic culture seems to mirror an ancient belief of mankind that the galactic center of our galaxy was the origin of souls, a location in the stars to which human souls were correspondingly also believed to return upon worldly passage.

We examined the origin of the Hebrew Calendar and found it to be similar.

What reason did the Hebrew forefathers possibly have for starting their calendar in Autumn, 3761 BC?

People did not likely say, "Oh, let's start a calendar today!" just any day. They surely had a very strong TIMELY reason for their choice.

We were then not surprised to find that the Autumn start of the Hebrew Calendar in Autumn 3761 B.C. corresponds to the location of the Autumn Equinox in that era at the Galactic Centre of our Milky Way of stars.

At, Konstantin Bikos writes at The Jewish Calendar that:

"12th-century Jewish philosopher Maimonides established 3761 B.C. as the biblical Date of Creation". [link added by us]

That post facto later date creationist-type explanation arguably reflects ancient astronomical religious knowledge, myth or legend as conceivably passed down over the generations by astronomically calendric-savvy Jewish diaspora priests.

We present below an image of the stellar center of our Milky Way galaxy, via an underlying clipped star map made by us via Starry Night Pro astronomy software, to which the present author of this posting, Andis Kaulins, the LawPundit, has added a circle to represent the Galactic Centre with arrows added to show the "striking" lines of stars pointing to the center of our Milky Way Galaxy.

There is of course no way to fully "prove" that this theory of the origin of the Jewish Calendar in 3761 B.C. is correct beyond doubt, but we think it adds some new astronomical and calendric sense to the origin of mankind's calendar time-keeping by the positions of the "Sun, Moon and Stars".

Note that the position of the Center of our Milky Way Galaxy must have been known by the ancient stargazers already in that era. These ancient "astronomers" likely formed the "purposeful" if also subjective figures of the nearest surrounding stellar (star) constellations viz. asterisms or similar groupings of stars to correspond to their astronomical knowledge of the location of the Galactic Centre.

These ancient "druids", for lack of a better term, also surely drew prominent "pointing" lines of stars using bright magnitude stars in their subjectively drawn figures, precise intended lines that point to the Galactic Centre, specifically:

  • the tip of the arrow of Sagittarius points to the Galactic Centre
  • the stinger of Scorpio points to the Galactic Centre, and
  • the lowered (we think, then serpent head of Ophiuchus), or one could view it as the bottom head of the "staff" around which the serpent of Ophiuchus perhaps twined, also points to the Galactic Centre. One can be of different minds about which precise stars the ancients actually intended, but the posited scheme is clear.

 "Striking" Stars at the Milky Way Galactic Centre

Some might suggest that this confluence is chance only, but such a pure coincidence would be unlikely given the "striking" nature of the figures used.

The three constellations Ophiuchus, Scorpio and Sagittarius not only "surround" the Galactic Centre but are specifically characterized and marked by what might be called "striking" directional lines of stars aimed at the Galactic Centre. In our view, such an unusual merging of purpose was INTENDED by the ancients.

As one can read in our other postings, it was this galactic center that was the focus of attention of major later megalithic sites, e.g. Stonehenge in particular.


Tuesday, March 16, 2021

Words, Acts and Cognition: Speech as an Act of Performative Utterance: Language Performativity Suggests Rethinking the ImpACT of the Human Word

What a superb article by Peggy Noonan at the Wall Street Journal (WSJ)
at Why We Care About the Royal Family Feud.

Noonan's "performativity"-centered discussion about the British Monarchy has had a special bonus for us, by opening up a new way of thinking about human communication and interaction in the form of "speech acts", which analysis also provides an unexpected connection to "critical legal thinking" (see the link below).

The Wikipedia writes: "Performativity is the concept that language can function as a form of social action and have the effect of change. The concept has multiple applications in diverse fields such as anthropology, social and cultural geography, economics, gender studies (social construction of gender), law, linguistics, performance studies, history, management studies and philosophy." [link added]

Indeed, "performativity" suggests to us that the unending mainstream media discussion about controversial social topics such as e.g. White House lies and untruths over the last four years have completely -- and we mean completely -- missed the point in their analysis of the significance of an avalanche of Twitter Tweets from the past U.S. President and from his similar performative utterances. Something else -- arguably more important than truth -- was at work.

As the language professionals writing about performativity suggest to us, it is not the content of spoken words per se or even the truth or falsity of that content that is at issue, but rather the purpose viz. societal influence of a given "speech act",
ala John L. Austin.

Read on below .... where we find to our astonishment ... really, in a fascinating turn of analysis ... that the assertion of truth or untruth has nothing to do with it.

Who would have thought it. Performativity is even applicable to basic science.

It is thus likely e.g. that the truth of history or other content being written about is not the chief issue in academic publications, as otherwise alleged by the powers that be, but rather the often hidden ulterior motives lurking behind such publications that are among the main driving forces of science. Scientific periodicals and human interactions at gatherings such as congresses can thus fundamentally be viewed as forums for performative acts. Recall that the motto is "publish or perish" but NOT "publish the truth or perish".

We have always known the above to be true, but never understood why.

Now we suspect to know a little more.

Hat tip to CaryGEE.

Most Popular Posts of All Time

Sky Earth Native America

Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.


    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."

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