Thursday, August 18, 2011

"Wafer Thin" Writing Tablets of Vindolanda and an Erroneous Modern Claim by Apple to Origination of Thin Tablet Design for the iPad2

In the previous LawPundit posting we did not discuss the Apple claim that the Samsung Galaxy Tab 10.1 infringed on the iPad2 because (using our English translation from the original German-language motion): "Tab 10.1 copies the prominent thin profile of the iPad2".

Alas, dear Apple, you are at least 2000 years too late in your design claim for "thin" writing tablets. You were preceded by the "wafer thin" Vindolanda wooden tablets, which are dated to the 1st and 2nd centuries AD.

As written at the British Museum and at Wikipedia, quoting the Wikipedia:
"The Vindolanda tablets are "the oldest surviving handwritten documents in Britain".[1][2] Written on fragments of thin, post-card sized wooden leaf-tablets with carbon-based ink, the tablets date to the 1st and 2nd centuries AD (roughly contemporary with Hadrian's Wall). Although similar records on papyrus were known from elsewhere in the Roman Empire, wooden tablets with ink text had not been recovered until 1973, when archaeologist Robin Birley discovered these artefacts at the site of a Roman fort in Vindolanda, northern England.[1][3]"


Roman writing tablet from the Vindolanda Roman fort of Hadrian's Wall, in Northumberland (1st-2nd century AD). Tablet 343: Letter from Octavius to Candidus concerning supplies of wheat, hides and sinews. British Museum (London) | Author = Michel wal) | 2008. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

When we look at these 2000-year old tablets, we see that not too much has changed in the shape of the "outer" rectangular design for ""thin" tablet writing that Apple has in fact copied from our forebears and to which it is wrongfully and shamefully trying to claim exclusive rights.

Most Popular Posts of All Time

Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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