Monday, June 15, 2015

Final Rock Art Decipherment for Ererê, Brazil, image source C. Fred Hartt, Inscripcoes em rochedos do Brasil, Figure 1: Sixth and Last of the Series

Final Rock Art Decipherment for Ererê, Brazil, image source C. Fred Hartt, Inscripcoes em rochedos do Brasil, Figure 1: Sixth and Last of the Series

As we have previously noted, in the Native America Land Survey by Astronomy, -- whose design for South America is recorded at the Miami Circle --
the rock art location of Ererê in Ceará State in northeastern Brazil
marks the stars of Orion,
whose Belt is called Orcorara as "3 stars" in Quechua,
pictured in our previous posting about the Cuzco Sun Temple
as three "hills", with orco meaning "hill" in Quechua.

Within the more local astronomy of South America over the course of time, however, Ererê, Brazil shows us rock art that contains the same cosmology that we found at the Cuzco Temple of the Sun, which, as we have shown in the previous posting, was really the Temple of the Galaxy, i.e. the Milky Way.

The images deciphered here and in the previous five postings of the series are from Ererê, Brazil and neighboring sites and are found a work in the public domain by Charles Frederich Hartt (Carlos Frederico Hartt), see also MyHartt, translated into Spanish from the Portuguese by Joao Baptista Regueira Costa (traduccao), Instituto Archeologico e Geographico Pernambucano, Pernambuco, Recife 1895. The applicable links online are:
See generally also the following sources:
This is the sixth and last posting of a series of decipherments which appear to be variations of a similar astronomical presentation at Ererê and neighboring sites, very likely at different eras, one image for each posting, here deciphering Figure 1, C. Fred Hartt, Inscripcoes em rochedos do Brasil. This figure shows similarities to Figure 6 but much remains very speculative.


THIS POSTING IS Posting Number 108 of
The Great Mound, Petroglyph and Painted Rock Art Journey of Native America


Rock Art Decipherments for Ererê, Brazil, image source C. Fred Hartt, Inscripcoes em rochedos do Brasil, Figure 10: Sixth and Last of the Series

Most Popular Posts of All Time

Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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