Sunday, January 22, 2017

The Sky Map Dolmen in the "Seida" Complexes of Mount Vottovaara, Paanajarvi National Park, Kuzova Islands, White Sea, Karelia, Russia

The "Sky Map" viz. "Star Map" Dolmen in the "Seida" Complexes of Mount Vottovaara, Paanajarvi National Park, Kuzova Islands, White Sea, Karelia, Russia has figures that show definite similarities to the lower half of Avebury Stone #10, e.g. serpent, whale.

We made this decipherment in the year 2004. It deciphers a dolmen in the "Seida" complexes of Mount Vottovaara, Paanajarvi National Park, Kuzova Islands, White Sea, Karelia, Russia. The island is located about 20 kilometers east of the city of Kem. Though of course previously known to the Lapps, Vottovaara was first discovered as an archaeological site in modern times only in 1992. The sky map has similarities to the carvings on the lower half of Avebury Stone #10:

The Karelia Sky Map Dolmen as Deciphered by Andis Kaulins


For Comparison: Avebury Stone #10 at Avebury Henge
Deciphered as "The Summer Solstice Stone" by Andis Kaulins






The Sky Map of Staraya Zalavruga, Karelia, Russia is Oriented to the Milky Way

The Sky Map of Staraya Zalavruga, Karelia, Russia was one of our very early astronomical decipherments. We were then examining the origins of Pharaonic civilization in the ancient rock art of pre-historic Norse seafarers. We made the possible connection because the Egyptian wadis have "seafaring" rock art similar to ancient "seafaring" Norse rock art.

We think the Planisphere of Staraya Zalavruga in Karelia, Russia, could be even older than the Hermitage Planisphere. We deciphered this star map also in the year 2002 as marking stars oriented to the Milky Way and preceding some similar features later found in Pharaonic civilization. Provisionally, we date it to ca. 4000 B.C.

The Hermitage Planisphere : A Very Ancient Sky Map from Lake Onega, Karelia, Russia

 In the year 2002, we deciphered "The Hermitage Planisphere" viz. "Sky Map" of Lake Onega, Karelia, Russia, now found in the Hermitage Museum in St. Peterburg, as marking the stars of the Milky Way. As we wrote there:

"The Hermitage Planisphere is painted on rock. The outer periphery line of the rock represents the Milky Way and the figures show stars, i.e. the stellar constellations WITHIN it."

The Hermitage Planisphere : A Very Ancient Sky Map from Lake Onega, Karelia, Russia -- Decipherment by Andis Kaulins


This was an early decipherment showing that the Milky Way was a major point of focus for ancient skywatchers. The spatula-like figure to the right, based on similar such spatulas carved on megaliths at other megalithic sites, points to an Equinox or Solstice point in the stars.

Avebury Henge Stones, The Sanctuary & the Cosmological viz. Religious Pre-Christian Belief System in Ancient Britain ca. 3000-2500 BC

We are putting finishing touches on our book about the Avebury Henge Stones and present here an excerpt from the section titled: Avebury Henge Stone #10 As the First Deciphered Megalith, which contains new materials regarding the cosmological viz. religious significance of Avebury in its era.

Avebury Stone #10 was the first Avebury Henge megalith that we deciphered, and we knew then that we were on to something extraordinary in terms of human history. We initially pre-announced the forthcoming book at the Ancient World Blog at http://ancientworldblog.blogspot.com/2016/08/introducing-avebury-stones-of-avebury.html. We now present some new aspects here.

Our decipherment of Avebury Henge Stone #10 provides us with key insights into the astronomically-oriented "pre-Christian" cosmological viz. religious belief system of the peoples of Ancient Britain, viz. the peoples in Ancient Britain who created the Avebury Henge Stones & Circles and the related megalithic sites, including Stonehenge, the latter site which also shows later vestiges of the same original belief system found at Avebury.

As we can surmise from our decipherment of Avebury Henge in particular and Avebury Stone #10 specifically (and of course, also from decipherments of the other Avebury stones as well), the origin of the ancient cosmological viz. religious belief system of Ancient Britain was astronomical in foundation.

The "gods" of Ancient Britain were "in "heaven, which we allege are still found today in names such as "Ave" and "Avon" ["Heaven"]. "Avebury" was indeed surely in part an "Ave-Bury", a "heaven's-oriented burial ground".

As we know from our Stonehenge decipherment, whose publication is also being prepared at this same time, the ancients placed the origins of their souls in the heavens, indeed, at the galactic center of their Milky Way galaxy.

The "realm of the living" at Avebury was represented by the Avebury Henge earthwork, which represented the Milky Way, with its megaliths as the stars of the Milky Way and the stars within the elliptical enclosure of the Milky Way.

The stars beyond the Milky Way represented the ocean of the underworld. The far depths of stars at Puppis (Apophis) were viewed as the deep "realm of the deceased", similar to the ancient Egyptian mythological demon Apep (Apophis), https://en.wikipedia.org/wiki/Apep, representing the giant serpent of the deep that was regarded to consume the mortal remains of the dead.

Apophis (Apep) at the stars of Puppis is represented in the ancient Avebury landscape by The Sanctuary https://en.wikipedia.org/wiki/The_Sanctuary, a giant serpent-shaped construction. It was the place where the mortal remains of the deceased were arguably placed for all eternity. Indeed, many bones have been found there. As written about The Sanctuary at the Wikipedia:

"The site was largely destroyed in 1723 although not before William Stukeley was able to visit and draw it. Stukeley considered the stones at The Sanctuary to represent the head of a giant pagan serpent marked out by the Kennet and Beckhampton Avenues."

At Avebury, the avenue known as Kennet Avenue or West Kennet Avenue -- https://en.wikipedia.org/wiki/Kennet_Avenue -- leads from the realm of the living – Avebury Henge – to the proverbial giant serpent that figuratively consumed the deceased at The Sanctuary. This was surely the path taken by ancient funeral processions in that era from Avebury Henge to The Sanctuary. Stones as human figures to the side of Kennet Avenue are arguably memorials. The word "kennen" in German means "to know someone", which suggests that these figures of Kennet Avenue were "people once known". Perhaps these were the royal couples.

Click the pic to obtain a larger image of the photograph of the Henge-Outward Faceof Avebury Megalith #10 -- see "the break" ?




Avebury Stone #10 shows that the realm of the living and realm of the deceased were also set apart by the basic lines formed by important astronomical parameters, which in turn then also defined how the ancients viewed the stars in their imagined asterisms.

Decipherment of the Henge-Outward Faceof Avebury Megalith #10



The "center" of the realm of the living was represented by the circumpolar stars at midheaven, around which all the stars seemed to revolve. On Avebury Stone #10, Boötes is represented as the creative phallic force of heaven. Ursa Major marks the heads of humanity as the living beings depicted in stone, with their heads above the Galactic Meridian, showing the eternal life of the soul. Leo marked their human progeny. Ursa Major was arguably seen as the "cup of life" of the living.

Hydra was drawn as a surface-based serpent that marked the Celestial Equator. That Celestial Equator is not fixed, but varies due to axial precession.  In ca. 3000 B.C., Hydra marked the Celestial Equator almost exactly from head to tail.

The horizontal stone "break" viz. overlapping stone "projection" on Avebury Stone #10 is found in the middle of the front (henge-outward) face of the stone and thus clearly marks Hydra, which is drawn on Avebury Stone #10 with its head pointing to the left, rather than to the right, as is modernly done. It was this strange break in the stone that led us to decipher Avebury Stone #10 before the other stones because we were intrigued to discover why the ancients would do that, which we did not know at that time.

Below Hydra are two large figures and several smaller ones. To the left, a large leg and foot marking the "base" of the galaxy, the known universe, as it were, with the heel of the foot set firmly on the Galactic Equator at Crux, the Southern Cross, at the thinnest part of the Milky Way ellipse. The other large figure to the right is the head of a whale, Physeter macrocephalus, today known as "the sperm whale", marking the watery realm of the underworld.

Alpha 1 Crucis ("ACrux") is the brightest star in Crux and the 13th brightest star in the heavens. It is the "bottom" star of the Southern Cross and sits virtually on the Galactic Equator, which -- as shown by our analysis -- the ancients regarded as one of their fundamental astronomical bases. ACrux was still completely visible at Avebury ca. 2800 B.C. but soon thereafter started to drop into invisibility because of axial precession.

Click the pic to obtain a larger image


An ancient Milky-Way-oriented astronomical system as found at Avebury has some astronomical comparables in northern Europe. We provide three examples of our deciphered ancient star maps from Karelia, Russia in the next three postings:

  • The Hermitage Planisphere : A Very Ancient Sky Map from Lake Onega, Karelia, Russia
  • The Sky Map of Staraya Zalavruga, Karelia, Russia (An Early Astronomical Decipherment)
  • The Sky Map Dolmen in the "Seida" Complexes of Mount Vottovaara, Paanajarvi National Park, Kuzova Islands, White Sea, Karelia, Russia : The Figures on the Dolmen Show Star Similarities to Avebury Stone #10
__________



Friday, January 06, 2017

What's Another Year -- Another 1/230,000,000th of Our Galactic Orbit -- Caleb A. Scharf in Life, Unbounded at the Scientific American Blog Network

Happy New Year 2017 !

To keep things on our planet in perspective for the New Year 2017, a terrestrial "Earth" year can be compared to a "Galactic" year -- as Caleb A. Scharf has done in his Life, Unbounded posting at the Scientific American Blog Network in

Another 1/230,000,000th of a Galactic Orbit.

Scharf suggests there:

"As the solar year ends, let's try to stop being so parochial".

Our comment is, "hear, hear !!"

As written at the Wikipedia for the entry "Galactic Year":
"The galactic year, also known as a cosmic year, is the duration of time required for the Solar System to orbit once around the center of the Milky Way Galaxy. Estimates of the length of one orbit range from 225 to 250 million terrestrial years. The Solar System is traveling at an average speed of 828,000 km/h (230 km/s) or 514,000 mph (143 mi/s) within its trajectory around the galactic center, a speed at which an object could circumnavigate the Earth's equator in 2 minutes and 54 seconds; that speed corresponds to approximately one 1300th of the speed of light."
We are, galactically seen, part of a much larger "picture", so to speak.

The word "scharf" in German means "sharp" and a sharp intelligence indeed is at work in writing perspicaciously about the present New Year as

Another 1/230,000,000th of a Galactic Orbit.

Take a look there for some outstanding insights about life on our planet.

In the meantime, Scharf might consider applying his own wisdom further, perhaps depart from the blindered parochial focus that marks the mainstream, and look at our "galactic" (if archaeological-anthropological-historical) decipherments of Stonehenge and Avebury in our previous postings -- from a broad historical-astronomical point of view, of course....



Most Popular Posts of All Time

Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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