As reported by Hubertus Schulze-Neuhoff of Traben-Trarbach at his DemoWiki (no longer a demo but in full use), a megalithic menhir tour took place under his leadership on April 9, 2005 in the Traben-Trarbach area, attended also by Uwe Anhäuser, much published travel author (e.g. Dumont's Paris) affiliated with the major newspaper of Trier, Germany. There were several other experts in the field, including myself.
The tour by bus and taxi included 27 participants on a route from Traben-Trarbach and the Red Goddess (Rote Göttin) megalith to the homespun Museum of Oberkleinich, the modern high-tech Roman Museum of Belginum including the top of a Jupiter Column, Hochscheid, the SIRONA shrine and Kappelbach, Hellertshausen, the base of a Jupiter Column in the church in Hottenbach, Sulzbach, the Kings Stone Megalith (Menhir) at Rhaunen, Weitersbach, Krummenau, Horbruch, Hirschfeld, Irmenach, Starkenburg, Enkirch, Reil, and back to Traben-Trarbach and e.g. the Monk's Stone.
The Jupiter Columns were of special interest to all because they show "Roman Gods" which have been adapted from older pagan astronomical gods. As written at Livius.org:
"The problem that behind a familiar Roman form hides an unidentified native god, can also be illustrated with the example of the high, column-shaped monuments dedicated to what is called the Roman supreme god Jupiter. These columns have been found in the Rhineland, among the Treveri of the Moselle, in the country of the Tungri and among the Nervians. Usually, their square base is decorated with reliefs of the gods, and on their top is a statue of Jupiter, sitting on a horse, fighting against a monster. The ancient Mediterranean knew many myths about the struggle between the gods and the giants, but representations of the supreme god on a horse are absent.
Jupiter killing a Giant (Gallo-Romeins Museum, Tongeren, Belgium)
Eighth-century Frieze of Wodan (Odin) and Sleipnir (Landesmuseum für Vorgeschichte, Halle, Germany)
[both graphics are from: http://www.livius.org]
The closest iconographic parallel is the west-Germanic supreme god Wodan (or his northern alter ego Odin), who fought against the powers of darkness, seated on his horse Sleipnir. It is very likely that the Treveri, Tungri, Nervians and the inhabitants of the Rhineland have equaled these two deities, and told each other stories about Jupiter that once had dealt with Wodan/Odin. There is nothing strange about this. In Gaul, the old god Lugh had been renamed Mercurius, but seems to have maintained something of his old character. Another example is the Christian Saint George, who was once known as Perseus."
Wednesday, April 13, 2005
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Sky Earth Native America
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.
Sky Earth Native America 2:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 2, Edition 2, 262 pages, by Andis Kaulins.
Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
The image on the cover was created using public domain space photos of Earth from NASA.
Both book volumes contain the following basic book description:
"Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
geographically located their villages according to patterns seen in stars of the heavens.
See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
American Anthropologist, 4, 730-736, 1902.
Ralph N. Buckstaff wrote:
"These Indians recognized the constellations as we do, also the important stars,
drawing them according to their magnitude.
The groups were placed with a great deal of thought and care and show long study.
... They were keen observers....
The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
In our book, we take these observations one level further
and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
together with mounds and earthworks, were made to represent territorial geographic landmarks
placed according to the stars of the sky using the ready map of the starry sky
in the hermetic tradition, "as above, so below".
That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
These landmarks were placed systematically in North America, Central America (Meso-America) and South America
and can to a large degree be reconstructed as the Sky Earth of Native America."
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