There may be a more intelligent woman and better media writer than
Camille Paglia out there in F. Scott Fitzgerald's dark fields of the
Republic somewhere, but we have not found her yet.
Camille's
recent takes on the American political scene and the U.S. Presidential
election in particular are marvelous creations of the best journalistic
art. We have to ask her: is Gatsby Trump?
See her newest contribution at Salon.com in Zombie time at campaign Hillary: Camille Paglia on Trump’s real strength and Clinton’s fatal sleepwalking.
If the Clintons used the lead photograph of that article to try to get
elected, it would be all over but the shouting.
There is also some
excellent discussion via commenter Sam Atwood of Nashville and Camille
about the archaeological and anthropological scene as well, both
academic fields suffering from the same dusty malaise that marks the
political and legal culture: as Camille so unmistakeably describes it:
"a lack of speculative skill and larger vision".
Sunday, June 05, 2016
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Sky Earth Native America
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.
Sky Earth Native America 2:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 2, Edition 2, 262 pages, by Andis Kaulins.
Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
The image on the cover was created using public domain space photos of Earth from NASA.
Both book volumes contain the following basic book description:
"Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
geographically located their villages according to patterns seen in stars of the heavens.
See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
American Anthropologist, 4, 730-736, 1902.
Ralph N. Buckstaff wrote:
"These Indians recognized the constellations as we do, also the important stars,
drawing them according to their magnitude.
The groups were placed with a great deal of thought and care and show long study.
... They were keen observers....
The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
In our book, we take these observations one level further
and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
together with mounds and earthworks, were made to represent territorial geographic landmarks
placed according to the stars of the sky using the ready map of the starry sky
in the hermetic tradition, "as above, so below".
That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
These landmarks were placed systematically in North America, Central America (Meso-America) and South America
and can to a large degree be reconstructed as the Sky Earth of Native America."
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