Sunday, August 07, 2016

Avebury Stone #10 Front Side Color Trace Compared with Sky Map Star Correspondence

The Great Avebury Challenge - Avebury Stone #10 Front Side Color Trace and Sky Map Star Comparison 5000 Years Apart in Astronomical Technology

This image compares the color tracing result for Avebury Stone #10 with the corresponding stars in a modern sky map. Both mark the same stellar region, 5000 years apart in astronomical technology. The sky map on the right is a partial clip from the superb astronomy software program Starry Night Pro We have moved labels around so that the image comparison is easier to view here. Click the pic to see a larger image.

The top of Avebury Stone #10 marks the Celestial Meridian. When you look at that top of the stone, you see that the ancients split Ursa Major into two halves that marked the heads of the two large figures, a man and a woman. The necks of the heads mark the Galactic Meridian. The child in their laps is marked by Leo, with Leo Minor marking either more children of the family or dolls of the large child. The man wears boots and one can see the shape of the shoe in the Milky Way with a jagged cut. The woman's dress extends to the bottom of the image, although the right lower half of the stone also might represent a sperm whale's head below the Celestial Equator, which is marked by Hydra at the middle of the intentionally sheared megalith. Also an octopus or squid is marked in the watery regions, at the lower left and a whale at the lower right below the funerary sled. The bottom of the stone marks the Galactic Equator. The center of the Stone marks the Summer Solstice. The North Galactic Pole at Coma Berenices is marked by what could be a phallic symbol.

As we interpret the figures on stone, the upper half of the stone represents the realm of the living on Earth whereas the lower half  is the realm of the deceased, marked by several figures that can be interpreted as those who have passed away, including one on a sled, which must have transported the deceased into the watery underworld. Puppis in the right corner is drawn as the similarly named Apophis (Apep), the giant serpent of the deep who was thought in early ancient times to consume the dead.

Crux, the Southern Cross, is in the left lower corner and may have served in prehistoric days, as in modern eras, as a symbol of passage.

Antlia is a modern constellation, very faintly marked here by what appears to be an animal of some kind. It was seen as a hunting boomerang by aboriginals in Oceania, a normally irrelevant connection, except for a figure we found dimly marked on the right hand side of the stone that could appear to be throwing something like a hunting boomerang could be. Interesting.

The next posting shows a black white tracing with constellations drawn into it
in a comparison with the same Starry Night Pro sky map as here.

Most Popular Posts of All Time

Sky Earth Native America

Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.


    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."

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