Friday, August 05, 2016

The Great Avebury Challenge - Avebury Stone #10 Back Side Tracing in Black & White Only

The Great Avebury Challenge - Avebury Stone #10 Back Side Tracing by Andis Kaulins

This is the tracing result for the back side of Avebury Stone #10 in black & white only. As predicted, and as we shall see in subsequent postings, the back side of Avebury #10 (viewed henge-outwards) marks stars "above" and opposite the stars marked on the front side of Avebury Stone #10. We have added the phrase "Zeta Cygni marks the Winter Solstice as a small bird". For more, see the next posting of this trace in color and with stars identified.


Provided that the attribution is retained, the above copyrighted image is published for free non-commercial "fair use" in any lawful publication,
and especially for content-related research, teaching, and educational use in general. Andis Kaulins retains the copyright to this image here in any case. Independent tracing of the original photograph by someone else and further work such as coloring become the copyright of the maker. Have fun! and learn thereby to better understand our ancient human ancestors!

Posted by Andis Kaulins at 8/05/2016 10:17:00 PM

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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

    • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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