Thursday, January 17, 2019

The Denisova Cave Hematite Stone: All Three Sides Seen As a Heavenly Scene of Man Woman & Child in a Prehistoric Eden

Analysis of ancient and especially prehistoric artefacts has occasionally led to sheer astonishment at the art "scenes" allegedly portrayed. This is surely one of the absolute best examples of that unexpected "Eureka" effect.

In two previous postings titled

The Denisova Cave Hematite Stone: Side 1 and Side 2 Deciphered as Astronomy
The Denisova Cave Hematite Stone: Side 3 Deciphered as Astronomy

we deciphered the three sides of the Denisova Cave Hematite Stone as astronomy. So far so good. But we did not look beyond the "trees" of that decipherment at the total picture shown by the "forest" of that decipherment.

Indeed, we looked at the stone today and thought that the prominent lines on Side 3 could be viewed as the head and torso of a human figure. If so, was that figure part of a larger scene represented by all three sides of the stone?  a scene reminiscent of figures we have previously found at, e.g. Avebury....

We put all three sides of the Denisova Hematite Stone together in one picture, concluding that the prominent lines on the stone could mark a "scene" of a man, a woman and a child, showing the group to be "humans".

Additionally, the man appears to be in an erect phallic stance, with the phallus at what could be interpreted to be the phallic stars of the stellar group known today as Hercules.

For the skeptics, we point out ... really, you can't make these things up: You can not just get prominent lines on artefacts to line up with known astronomical "entities".

Rather, this purported "scene" could be viewed as proof of the correctness of the general decipherment, in showing a phallic man similar to portrayals found in ancient Nordic rock art e.g. at Tanum.

We show the composite drawing of our interpretation of the Denisova Hematite Stone below, together with identification of the purported figures.

You be the judge.... Here is the composite picture of our two original drawings (click on the graphic for a larger version):


Man, Woman and Child? We think so. The phallic element demonstrates that prehistoric man understood the origin of children. And as in the Garden of Eden mythology, there is also a serpent ... at Heaven's Center.


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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."

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