Monday, March 07, 2011

Syllabic Grid of Ancient Scripts : Luvian MinAegCon Syllabic Grid Conclusion

More than 30 years ago, I deciphered the Phaistos Disk (also written Phaistos Disc) as a mathematical problem of parallel lines and that decipherment stands up to the MinAegCon + Luvian syllabic grid that I have just finished publishing.

There are some minor corrections to be made there by me in the future since I did have to move a few of the signs around based upon that MinAegCon syllabic grid, but by and large the decipherment of the Phaistos Disk as Ancient Mycenaean Greek and as an ancient version of Euclid's 5th postulate (its converse) on parallel lines remains intact.

ALL of the signs on the Phaistos Disk are syllabic and none of them represent any of the vowels or W-based syllables later encountered in the ancient scripts of the grid.

That remarkable fact not only makes it impossible that the Phaistos Disk was forged, as some observers have ventured, but it also suggests that either the Phaistos Disk -- or its predecessor - was either made prior to the addition of vowel signs or W-based signs to the writing system, or, more likely, that the maker to save space intentionally stuck to syllabic signs. Only someone who knew the language perfectly could have done so. No forger would have been able to differentiate ancient signs in terms of syllables, w-based syllables and vowels.

Indeed, the scholars working on these scripts today have a hard time identifying the language value of the syllables, period, and the MinAegCon syllabic grid will ultimately lead to an improvement of the decipherment of syllabic and vowel signs and the attendant scripts in all ancient written languages.

Summa summarum, all things considered, the MinAegCon syllabic grid + Luvian contributes to us vast amounts of new knowledge and understanding about how the landmark technology of writing by human beings on our planet began and how it developed in the early civilizations of mankind.

Most Popular Posts of All Time

Sky Earth Native America

Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.


    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."