Friday, March 13, 2015

The Cahokia Monks Mound Birdman : What is the Mystery of the Official Cahokia Logo Tablet and What Does it Tell us About Monks Mound?

We are not yet finished with Cahokia.
Monks Mound has some important mysteries yet to be solved.

Let us start out with the so-called "Birdman",
the tablet which has become the "official logo" of the Cahokia Mounds.

We have put together and drawn
this illustrative image of the "Birdman" of Cahokia
using various online sources and redrawing the most prominent lines,
so our figure is "approximate" only,
but something on the original Birdman image is missing from our image.
If you check out the "Birdman" image of Cahokia online,
you should be able to discover what it is.
What is it? What have we left out?

We reveal the missing something in the next posting.

THIS POSTING IS Posting Number 37 of
The Great Mound, Petroglyph and Painted Rock Art Journey of Native America

The Cahokia Monks Mound Birdman : What is the Mystery of the Official Cahokia Logo Tablet and What Does it Tell us About Monks Mound?
Posted by Andis Kaulins at 3/13/2015 10:07:00 AM

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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

    • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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