Wednesday, October 12, 2005

13 - The Cult of Horus and the Origins of Astronomy - Nr. 13

13 - The Cult of Horusand the Origins of Astronomy - Nr. 13
This "protective enclosure" is present in the myths of many cultures... represented by many symbols… in Egypt for example as Aakhut.[36]
__________
[36] David Talbott, On Testing the Polar Configuration, in the most complete summary that we have been able to find of ancient sources relating to the stars at heaven's center, writes:

"Because the north celestial Pole is its pivot or center, it is the polar configuration...."
[Heaven's Center as the "Eye of Heaven"]
"The Egyptian Book of the Dead reads: "I am the lord of the crown. I am in the Eye, my egg. My seat is on my throne. I sit in... the pupil of the Eye...."
[Heaven's Center as a Protective Enclosure. Settlement or Temple of Heaven]
"[T]he Hebrew celestial Jerusalem, "Sublime in elevation in the uttermost north. . .the City of the King; the Chinese "Imperial City," defined as an enclosure around the north celestial Pole; the Hindu celestial city of Brahma, "the all-containing city" at the celestial Pole.... To the Egyptians, the celestial enclosure possessed the magical quality of protecting the inhabitants from the dark [see Narmer later] and chaotic forces outside the enclosure, and this simple fact will explain why the enclosure was conceived as a shield....."

[Heaven's Center as a Column or Mountain]
"The Hindus knew the famous mountain as Meru, on whose summit stood the primeval dwelling of the gods. In the beginning this "golden mountain" or "jewelled peak" rose in the cosmic sea to serve as a universe pillar holding aloft the celestial city of Brahma. Around the summit of this axis-mountain turned the starry heavens.

Chinese myth recalls a similar mount.... On the summit of Kwen-Lun stood the great palace of Shang-ti, the universal emperor at the celestial Pole ... Tze-wei, "a celestial space around the north Pole."

The Japanese recalled the world mountain Shumi, described as "a fabulous mountain of wonderful height, forming the axis of every Universe, and the center around which all the heavenly bodies revolve ....

According to the Zend Avesta, "The Maker Ahura Mazda
[see Narmer later] has built up a dwelling on the Hera-Berezaiti, the bright mountain around which the many stars revolve....

Altaic races remember the cosmic mountain whose "peak rises to the sky at the North Star where the axis of the sky is situated, and where, on the peak, the dwelling of the Over-god and his 'golden throne' are situated." This was "at the navel of heaven, on the peak of the famous mountain.

The Greek Olympos, where stood the original city of the gods and home of Kronos ... was the "wholly shining," a cosmic mountain rising into the fiery aether and called the "navel" and "axis" of the world.

The Hebrew celestial Jerusalem stood on the summit of the cosmic Zion, after which the Hebrews named the local hill in Palestine. "Great is the Lord, and greatly to be praised in the city of our God, in the mountain of his holiness. Beautiful for situation, the joy of the whole earth, is mount Zion." "Mt. Zion, thou 'far reaches of the North,' an emperor's citadel.

Many remarkable counterparts to these traditions will be found in the myths and symbols of the New World. One of the better known instances is the White or Shining Mountain Colhuacan, recognized by many writers as a polar column. On the summit of Colhuacan dwelt the original divine race
[Achu, the demigods].
The Omaha recall... "the great white rock, standing and reaching as high as the heavens, enwrapped in mist, verily as high as the heavens. In the Eskimo tradition the world of the gods is situated above a great mountain around which the celestial bodies revolve...."[Heaven's Center as a Mountain, Column (Pole), Phallus, Serpent, World Tree, Bird]"The hypothesized cosmic mountain could hardly have failed to produce a great variety of symbols.... Taking the most obvious examples, we list these mythical images as the logical and predicted figures of the cosmic column, if such a thing was actually witnessed by ancient man: World Mountain, Pillar, Binding Post, Phallic Column, Serpent-Column, Trunk of the World Tree....
Egyptian symbolism presents the four life-bearing streams as the Four Sons of Horus, identified as "four blustering winds," "four blazing flames" or fourstreams of water. But the same figures are presented as "four pillars of heaven" placed at the four corners of the celestial habitation.... [T]he outstretched wings of the thunderbird or winged god or goddess, signified the same thing as the cosmic ship, the two peaks of the world mountain .... The stationary god rests within the band of the Aten (presented in its popular form as a circular serpent). Within the enclosure the god's seat is the Aakhut, the two-peaks of the Mountain of Fire-Light."
We disagree with Talbott's main hypothesis in that writing, but his above discussion of ancient mythologies of heaven’s center (the north celestial pole) is superb and that is why we have quoted so much of this eminently important text. See Kronia where that text appears in an extensive article by Talbott "On the Polar Configuration".

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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

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    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
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    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."

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