Wednesday, October 12, 2005

9 - The Cult of Horus and the Origins of Astronomy - Nr. 9

9 - The Cult of Horusand the Origins of Astronomy - Nr. 9

Alfred Grimm and Sylvia Schoske, Am Beginn der Zeit, Ägypten in der Vor- und Frühzeit; Ausstellungskatalog, Heft 9, Schriften aus der Ägyptischen Sammlung (SAS); München, Staatliches Museum Ägyptischer Kunst, 24.12. 2000 - 22.4.2001, pp. 2, 11, write:

"The name "Schemesu-Hor" applied to the early kings in the Turin Canon of Kings can be understood quite literally as "Followers of Horus". Neither the number nor sequence of the kings who ruled from "Falcon" to Narmer, the so-called "Dynasty 0", is known exactly at the present time, but one can possibly equate them with the sovereigns having the double crown on the Palermo stone (and its fragments) as well as with the demigods who ruled before First Dynasty." [our translation from the German]



Figure 4:
The Newby Palette [21]
Barbier-Mueller Museum,[22] Geneva
Photograph of the Newby Palette by John D. DeGreef
Decipherment by Andis Kaulins in the year 2005
The predynastic period of the falcon cult (Figure 3) is testified to by many predynastic "falcon serekhs" (serekh = king’s name enclosure) in Egypt, all originating from the period about 3300 to 3100 BC.[23]
__________
[21] Francesco Raffaele, Late Predynastic and Early Dynastic Egypt and Newby Palette.
[22] See Barbier Mueller Museum
[23] See Serekhs.

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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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