Saturday, October 15, 2005

25 - The Cult of Horus and the Origins of Astronomy - Nr. 25

25 - The Cult of Horus
and the Origins of Astronomy - Nr. 25


The oldest similar representation of heaven as containing dog-like animals is found in the Cucuteni Culture 4500-3500 B.C. (northeast Romania). As below, heavenly snakes or eels or worms are surrounded by four dogs. These dogs have substantial similarity with the later Seth in Egypt:[55]



Figure 18: Painted Conic Vessel, Cucuteni Culture, 4500-3500 B.C.


As noted by Richard Hinckley Allen, Seth also has been equated with the stellar constellation of Ursa Minor. Allen writes[56] that the old Egyptians equated the Jackal of Set with the circumpolar constellations "even as late as the Denderah zodiac". Seth is also portrayed in the Ramesseum.

Allen writes that the representation of the jackal in the Ramesseum has great similarity to Ursa Minor. Allen is of the opinion that Seth as a dog-like animal had something to do with the circumpolar stars for a long time prior to that. Plutarch equates Seth with "Anubis, Apap, Apepi, Bes, Tebba, Temha, and Typhoeus", pointing to a relation to the Dragon (lizard, snake), which in Egypt first was represented as a crocodile or serpent. Plutarch also notes that the Phoenicians called Seth Doube or Döbher. This would then perhaps have been Thuban in then Ursa Minor.

8. Khasekhemwy Carries out the required Calendar-Reform

Pharaoh Khasekhemwy understood that neither Seth nor Horus, the falcon, were responsible for the calendric difficulties of the Pharaohs, but rather the calendar-makers themselves. Accordingly, Khasekhemwy carried out the necessary calendric correction of adding 4 x 30 days.
He inserted the necessary 120 intercalary (leap) days as "year-days", symbolized through four purely monthly "calendric kings": Chaires, Nepercheris, Sesochris, and Cheneres, none of whom actually reigned in real life. That is why these kings are not found on the list of kings at Abydos and also are not archaeologically verifiable up to this day.
__________
[55] Marija Gimbutas, Die Sprache der Göttin: Das verschüttete Symbolsystem der westlichen Zivilisation, Zweitausendeins, Frankfurt, 1998, p.161, originally The Language of the Goddess: Unearthing the Hidden Symbols of Western Civilization.
[56] Richard Hinckley Allen,
Star Names, Dover, NY, 1963, p. 450.

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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

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    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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