Wednesday, October 12, 2005

11 - The Cult of Horus and the Origins of Astronomy - Nr. 11

11 - The Cult of Horus
and the Origins of Astronomy - Nr. 11




Figure 5: Falcon Palette, Egyptian Collection (SAS), Munich

The following later artefact shows the "double falcon":



Figure 6: The "Double Falcon" as a simplified representation


This simplified representation[30] was surely the initial stage for the later writing of the so-called Horus name[31] of the king. The Horus name was written in a protective serekh,[32] with the Horus falcon above it.
__________
[30] This Double Falcon is from El-Beda in the Northeast Delta Region of Egypt. See http://xoomer.virgilio.it/francescoraf/hesyra/dynasty0.htm.[31] Dr. Zahi Hawass, in "The Falcon God", writes: "The name "HORUS" stems from the ancient Egyptian word hr (her) which in its simple form was the preposition "above", "upon", so Horus the falcon soars above all the land and its inhabitants, and was the natural symbol of the King who reigns over all Egypt....Horus, represented by the hawk, was the god of the Sky, a symbol of divine Kingship, and protector of the ruling King.... Horus was the god of the Nile Delta (Lower Egypt) and Seth was the god of Upper Egypt.... The Kings of predynastic Egypt were known as the Followers of Horus...." http://www.guardians.net/hawass/horus.htm.
[32] See Königstitel, Das alte Ägypten http://www.selket.de/koenigstitel.htm.

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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy
    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

  • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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