Saturday, October 15, 2005

27 - The Cult of Horus and the Origins of Astronomy - Nr. 27

27 - The Cult of Horus
and the Origins of Astronomy - Nr. 27

The casualties that are portrayed at the side of the pedestal to Khasekhemwy’s statue symbolize the dead, expired years. It is quite clear that the first nail-formed hieroglyph, written four times consecutively, stands for four 100’s and not for four 10000’s. The seven middle flower-shaped hieroglyphs represent seven 10’s. This is not disputed. The nine left "stick" hieroglyphs represent nine 1’s. This is also not disputed. The number represented here is thus the number 479 and not, as the Egyptologists would have us believe, he number 40079. A study of the magnified hieroglyphs confirms our analysis.



Figure 20 (ab0ve):
Khasekhemwy and his Numbers (slightly magnified).


Figure 21 (above):
Khasekhemwy and his Numbers (strongly magnified)


The individual numbers from the right to the left are 4-7-9 = 479 years, plus 120 days intercalated (2x 60), the @-shaped hieroglyphs. These numbers are clear. The Pharaohs would never have written the number 40279 this way, with 100's between the 10's and 1's, above the 1's.
Posted by Andis Kaulins at 10/15/2005 05:58:00 PM

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Sky Earth Native America


Sky Earth Native America 1:
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.

  • Sky Earth Native America 2:
    American Indian Rock Art Petroglyphs Pictographs
    Cave Paintings Earthworks & Mounds as Land Survey & Astronomy    ,
    Volume 2, Edition 2, 262 pages, by Andis Kaulins.

    • Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
    The image on the cover was created using public domain space photos of Earth from NASA.

    -----

    Both book volumes contain the following basic book description:
    "Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
    that there is ample evidence that some ancient cultures in Native America, e.g. the Pawnee in Nebraska,
    geographically located their villages according to patterns seen in stars of the heavens.
    See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
    American Anthropologist, 4, 730-736, 1902.
    Ralph N. Buckstaff wrote:
    "These Indians recognized the constellations as we do, also the important stars,
    drawing them according to their magnitude.
    The groups were placed with a great deal of thought and care and show long study.
    ... They were keen observers....
    The Pawnee Indians must have had a knowledge of astronomy comparable to that of the early white men."
    See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
    American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
    In our book, we take these observations one level further
    and show that megalithic sites and petroglyphic rock carving and pictographic rock art in Native America,
    together with mounds and earthworks, were made to represent territorial geographic landmarks
    placed according to the stars of the sky using the ready map of the starry sky
    in the hermetic tradition, "as above, so below".
    That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
    whose "rock stars" are the real stars of the heavens, "immortalized" by rock art petroglyphs, pictographs,
    cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
    These landmarks were placed systematically in North America, Central America (Meso-America) and South America
    and can to a large degree be reconstructed as the Sky Earth of Native America."


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